BEWITCHED
By BRIAN LOWRY
Variety, 6,16,05
Nora
Ephron's attempt to reconceive the standard TV-to-bigscreen adaptation
goes bizarrely haywire here, spinning out of control like a runaway
broomstick. Burdened by its show-within-a-movie-about-a-show structure,
"Bewitched" suffers from its sheer peculiarity as well
as a lack of chemistry (or alchemy, for that matter) between leads
Nicole Kidman and Will Ferrell. Despite the occasional grudging
moment of strange magic thanks to Ferrell's antics and the large,
talented but wholly squandered supporting cast, whatever initial
box office curiosity exists should give way to DVD banishment once
word-of-mouth casts its spell.
Although the idea of finding a fresh way to tackle such material
is admirable, what finally emerges is a film that has about three
different movies in it -- "Splash"-type fish out of water?
Hollywood romance? Down-on-his-luck actor gets magical career help?
-- and that's unable to settle on any of them.
Isabel (Kidman) is a real-life witch who yearns to be a normal person,
though she hasn't quite mastered not employing magic to tidy up.
Setting up house in Hollywood, her womanizing warlock dad (Michael
Caine, always welcome, though put to much better use in "Batman
Begins") warns that she'll miss her powers.
Soon, however, Isabel stumbles into Jack (Ferrell), a neurotic movie
star coming off a major flop and in the midst of a nasty marital
breakup -- problems that are forcing him to consider slumming in
television. ("Bewitched" won't have the same effect on
Ferrell, but it's hard to resist pointing out that two or three
more misfires of this scale might.)
Jack's squirrelly agent (Jason Schwartzman) brings him a sitcom
remake of "Bewitched," but to avoid the Darrin syndrome
-- that is, being so much the second banana that they could change
actors practically without notice -- he insists on selecting an
unknown as Samantha. Enter Isabel, who can do that nose-crinkling
thing Elizabeth Montgomery made famous, and, in her new-to-town
naivete, takes the job mostly because she has a crush on Jack.
Actually being a witch, it turns out, means not having to think
much when you're asked to improvise. Alas, though, the producers'
decision to highlight Jack means that he freely steps all over Isabel's
lines, which she eventually discovers, throwing a monkey wrench
in their budding off-set romance. And despite all that, she still
ends up testing higher with focus groups.
As written by director Ephron and her sister Delia, pic exhibits
a fondness for the original series but doesn't click as a romance
-- in part because the miscast Ferrell's character is such a self-absorbed
boor it's hard to fathom what Isabel sees in him. Even the narrative
timeline gets confusing, as the series is said to be taping a second
episode after it seems (or at least feels) like it's been on the
air for months.
In terms of Kidman, her latest nose-centric role won't make anyone
forget "The Hours." Playing Isabel as a wide-eyed waif,
in fact, makes her mostly uninteresting, with more of a spark coming
from Kristin Chenoweth (a more beguiling witch herself in "Wicked")
as her feisty neighbor.
Then again, there are lots of potentially funny people with not
much to do, including "The Daily Show's" Stephen Colbert
and Steve Carell, and Shirley MacLaine as the hammy actress playing
Samantha's mom. Yet whatever charm Ephron brought to "Sleepless
in Seattle," the magic's gone here, lost amid a pace that not-so-magically
causes time to slow down in the second act.
"Bewitched" does attempt to make use of trappings from
the series, including its jaunty theme crooned by Steve Lawrence.
There's even one particularly intriguing act of magic, as Isabel
causes time to rewind so she can erase the unforeseen consequences
of a wayward spell.
Watching the movie run backward, though, only spurs reflection on
whether it should have kept unspooling in reverse a little further
-- all the way back to the development stage.
A Sony Pictures Entertainment release of
a Columbia Pictures presentation of a Lucy Fisher and Douglas Wick/Penny
Marshall production. Produced by Wick, Fisher, Marshall, Nora Ephron.
Executive producers, James W. Skotchdopole, Steven H. Berman, Bobby
Cohen. Directed by Nora Ephron. Screenplay, Ephron, Delia Ephron;
based on the television series created by Sol Saks.
Isabel Bigelow - Nicole Kidman
Jack Wyatt - Will Ferrell
Iris Smythson - Shirley MacLaine
Nigel Bigelow - Michael Caine
Richie - Jason Schwartzman
Maria Kelly - Kristin Chenoweth
Nina - Heather Burns
Larry - Jim Turner
Stu Robison - Stephen Colbert
Jim Fields - David Alan Grier
Uncle Arthur - Steve Carell
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