2007 TORONTO
FILM FESTIVAL
The Audience Prize for
Best Film, the top award at Toronto's annual movie feast, went to
"Eastern Promises." Other entries that were shown are
described below. For complete details on the festival, click
here.

Viggo
Mortensen, Naomi Watts, Vincent Cassel, Armin Mueller-Stahl, Sinead
Cusack, Donald Sumpter, Jerzy Skolimowski, Michael Sarne (Directed
by David Cronenberg; Written by Steven Knight; Focus Features) London
is the workplace of some of the world’s meanest members of
organized crime, perhaps none meaner than a certain Russian-born
thug named Nikolai (Viggo Mortensen). This exceedingly illegal immigrant
specializes in the business of sex and shows little mercy on his
victims, though there is a chance he will treat Ana--a British midwife
who knows more than it is healthy to know about a young woman who
died giving birth--with a smidgeon of tenderness. Enraptured fans
of 2005’s “A History of Violence” will be pleased
to see Viggo Mortensen working once again under the splendid, mischievous
direction of David Cronenberg.
"Eastern
Promises" is Now Playing in theaters.
ACROSS
THE UNIVERSE: Evan Rachel Wood,
Jim Sturgess, Joe Anderson, Martin Luther, Dana Fuchs, Cynthia Loebe,
T. V. Carpio, Heather Janneck (Directed by Julie Taymor; Written
by Dick Clement and Ian La Frenais; Sony Pictures) Singing, dancing,
doping, making love, declaring war on war--that’s the way
rebellious youths expressed themselves in the sixties. And that’s
what director Julie Taymor, who gave us “Frida,” will
be delivering in this partly live-action, partly animated musical
peppered with classic Beatles songs. Jim Sturgess plays a lad from
Liverpool who journeys to the U.S. in search of his long-lost father.
He may or may not find his dad, but he definitely does find a lovely
American pacifist (Evan Rachel Wood) whom he joins in demonstrating
against the Vietnam War. Let it be. To
read about more new musicals, click
here. Now Playing
in theaters
THE
ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD:
Brad Pitt, Casey Affleck, Sam Shepard, Mary
Louise Parker, Sam Rockwell, Zooey Deschenal, Jeremy Renner, Michael
Parks, Barbara Kozicki, Garret Dillahunt (Directed by Andrew Dominik;
Written by Ron Hansen; Warner Bros.) Jesse James, a good old Missouri
boy, had little tolerance for the feds and railroad tycoons who
relieved farm folk of their homes in the late 19th century. That’s
presumably why he formed a gang and got into the profitable but
risky business of robbing banks and terrorizing train riders. In
the end, Jesse was undone by Robert Ford, a young gang member who
went from revering his outlaw boss to deeply resenting him. Or so
the story by novelist/screenwriter Ron Hansen--which is the basis
for this film--goes. Brad Pitt, who’s at his best when playing
on the wrong side of the law, is Jesse and Casey Affleck is Robert
Ford. As for Sam Shepard, he plays Jesse’s brother Frank,
a role which gave Henry Fonda the opportunity to steal the 1939
“Jesse James” from Tyrone Power. To
read the Variety review of "The Assassination of Jesse James
by the Coward Robert Ford," click
here; for details on more new biopics, click
here. Now Playing in theaters
ATONEMENT:
Keira Knightley, James McAvoy, Vanessa Redgrave,
Romolo Garai, Saoirse Ronan, Brenda Blethyn, Juno Temple (Directed
by Joe Wright; Written by Christopher Hampton; Focus Features) In
the wake of her frantic yet flimsy contributions to the achingly
trivial “Pirates of the Caribbean” trilogy, Keira Knightley
apparently decided it was time to get serious. So she took on the
challenge of playing the tormented Cecilia Tallis in “Atonement,”
Christopher Hampton’s adaptation of the Ian McEwan novel.
This heavy-duty drama has been directed by Joe Wright, who, in 2005’s
“Pride & Prejudice,” helped Knightley reveal the
wit and vulnerability beneath her glossy, high-fashion façade.
Her spirited portrait of Emma Bennet earned an Oscar nomination,
and the fact that “Atonement” was selected to open the
2007 Venice Film Festival suggests she may well be among the Best
Actress nominees when the next batch of Oscars are handed out on
the night of February 24, 2008. Keira--or, rather, Cecilia Tallis,
the heroine of McEwan’s 2002 Booker Prize winner--is a privileged
member of a prominent 1930s British family who is home from Cambridge
in the summer of 1935 with handsome classmate Robbie Turner (James
McAvoy), the son of the Tallis’ cleaning woman who has risen
to the enviable position of Cecilia’s lover. Witnessing an
intimate exchange between the two, Cecilia’s dangerously imaginative
13-year-old sister Briony contrives a story so shocking that it
results in the imprisonment of Robbie. Life soon becomes a nightmare
for the Tallis clan and for those unfortunate enough to have been
part of their not-so-charmed circle. Their anguish endures through
many stages and does not end until the dawning of the 21st century.
So who plays the deceitful Briony? Saoirse Ronan, at the time of
the big lie; Romola Garai at the age of 18; and , blessing of blessings,
Vanessa Redgrave as the older, presumably wiser, Briony.
To read the Variety
review of "Atonement," click
here; for details about more new movies based on books, click
here. Now playing
in theaters
THE
BRAVE ONE: Jodie Foster, Terrence
Howard, Naveen Andrews, Mary Steenburgen, Jane Adams, Nicky Katt
(Directed by Neil Jordan; Written by Roderick Taylor, Bruce A. Taylor
and Cynthia Mort; Warner Bros.) Erica Bain (Jodie Foster) had it
all, and she knew it. The host of a popular Manhattan radio talk
show, she’d finally hooked up with a super guy and was planning
her wedding day. That was then and this is the tragic now. Erica
is the physically and emotionally wounded survivor of a vicious
assault, and her husband-to-be is dead. Before long, she is an armed
and dangerous woman, night-stalking city streets in search of vengeance.
Can a tough, well-intentioned cop (Terrence Howard) save her from
self-destruction. This thriller was directed by the never-boring
Neil Jordan, the man responsible for “Mona Lisa,” “The
Crying Game” and “Breakfast on Pluto.”
To read about more new murderpix, click
here. Now Playing in theaters
CASSANDRA’S
DREAM: Ewan McGregor, Colin
Farrell, Hayley Atwell, Tom Wilkinson, Sally Hawkins, Tamzin Uthwaite,
Mark Umbers, Andrew Howard (Written and directed by Woody Allen;
Wild Bunch) Rumored to be Woody Allen’s darkest film ever,
this London-set drama scrutinizes the unraveling relationship between
two down-on-their-luck Cockney brothers (McGregor and Farrell).
Why the bad blood? Blame it on Angela (Hayley Atwell), a gold-digging
hottie who lures the siblings into a world of slime-crime, managing
in the process to seduce one of them and traumatize the other.
To read the Variety
review of "Cassandra's Dream," click
here; for Guy Flatley's 1978 interview with Woody Allen, click
here. Opens in theaters
on 1/18/08
THE DIVING
BELL AND THE BUTTERFLY: Mathieu
Almaric, Jean-Pierre Cassel, Emmanuelle Seigner (Directed by Julian
Schnabel; Written by Ronald Harwood; Focus Features) It makes perfect
sense that Jean-Dominique Bauby’s stunning book, “The
Diving Bell and the Butterfly," should carry the subtitle of
"A Memoir of Life in Death.” Bauby, a dynamic, articulate,
happily married father of two, was the widely admired editor-in
chief of France’s Elle Magazine in 1995 when, at the age of
44, he suffered a stroke that left him in a coma for 20 days. It
was assumed that he would never again share thoughts and impressions
with his loved ones and former colleagues. And when he did finally
awake, the only part of his body that appeared to be functioning
was his left eye. Soon, however, with the blink of that eye, he
was able to make it understood that his brain had not been impaired.
Amazingly, a system was devised by his family and friends whereby
he would blink when a particular letter of the alphabet was read
aloud to him. From there, it was a matter of his forming words,
structuring sentences and conveying the complex, passionate ideas
and images that filled his mind and then shape them into a unique
manuscript. Bauby died in 1998, just two days after the publication
of “The Diving Bell and the Butterfly.” It was thought
that Johnny Depp, who worked with director Julian Schnabel in "Before
Night Falls," would tackle the challenging role of Bauby, but
that plan fell through. So Depp's loss is Mathieu Almaric's gain.
To read the Variety review of "The
Diving Bell and the Butterfly," click
here. Now playing in theaters
I’M
NOT THERE: Christian Bale, Cate
Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger, Ben
Whishaw, Julianne Moore, Charlotte Gainsbourg, Michelle Williams,
(Directed by Todd Haynes; The Weinstein Company) Did you ever have
the feeling that there’s something baffling, if not downright
bizarre, about legendary music man Bob Dylan? Well, the mystery
may soon be cleared up in this brazen biopic. Who's been handed
the task of acting (and singing) like Dylan in all of his shifting
complexity? As it turns out, it took at least five men and one woman
to rise to the challenge: Christian Bale, Richard Gere, Heath Ledger,
Ben Whishaw, Marcus Carl Franklin and, yes, a notably curly-haired
Cate Blanchett. The women in Dylan’s life are played by Julianne
Moore, Charlotte Gainsbourg and Michelle Williams (Heath Ledger’s
wife in “Brokeback Mountain” and in real life). Director
Todd Haynes, who worked wonders with Julianne Moore in “Safe”
and “Far From Heaven,” will undoubtedly keep all of
these heavyweight performers blowin’ eloquently in the wind.
To read about
more new biopics, click here.
Now playing in theaters
IN THE
VALLEY OF ELAH: Tommy Lee Jones,
Charlize Theron, Susan Sarandon, Jason Patric, Josh Brolin, James
Franco, Frances Fisher, Barry Corbin, Jonathan Tucker (Written and
directed by Paul Haggis; Warner Independent Pictures) Readers of
Playboy magazine were shocked by “Death and Dishonor,”
Mark Boal’s investigative article published in the summer
of 2004. Boal interviewed Lanny Davis, a former U.S. Army M.P.,
about the death of his son, who had been reported AWOL following
a tour of duty in Baghdad. Davis, refusing to accept the army’s
version of his son’s disappearance, eventually discovered
that the young man had in fact been brutally murdered by his army
buddies after a night of partying in Georgia. Paul Haggis, the writer-director
of “Crash,” purchased rights to the story, added a few
fictional touches, and signed up a sterling cast headed by Tommy
Lee Jones as the ex-soldier in pursuit of justice. To
read about more new war-themed movies, click
here. Now Playing in theaters
INTO
THE WILD: Emile Hirsch, Vince
Vaughn, Catherine Keener, William Hurt, Marcia Gay Harden, Hal Holbrook,
Jena Malone (Written and directed by Sean Penn; Paramount) Christopher
McCandless, a restless, searching idealist, graduated from college
in 1992 but did not even consider competing with his peers for a
prestigious, lucrative job. Instead, as readers of Jon Krakauer’s
best seller know, McCandless left behind his worldly goods, hitchhiked
to Alaska, and strived to become one with nature. Four months later,
his corpse was discovered on an abandoned bus in a wilderness campsite.
Under the direction of Sean Penn, “Alpha Dog’s”
Emile Hirsch plays McCandless; Keener and Vaughn play a motherly
stranger and a sensitive truck driver he meets on his journey.
Now Playing in theaters
MARGOT
AT THE WEDDING: Nicole Kidman,
Jennifer Jason Leigh, Jack Black, John Turturro, Ciaran Hinds, Barbara
Turner (Written and directed by Noah Baumbach; Paramount Classics)
“The Squid and the Whale” was one of the sharpest, funniest
and most moving films of 2005, and it should have won at least one
Oscar--maybe for Best Original Screenplay, for which Noah Baumbach
was nominated. Unlike the dysfunctional Brooklyn family examined
in “The Squid and the Whale,” the two sisters (Nicole
Kidman and Jennifer Jason Leigh) and one husband-to-be (Jack Black)
in writer-director Baumbach’s follow-up film dwell in upstate
New York. But surely they will be at least a little bit dysfunctional.
Incidentally, filmmaker Baumbach and actress Leigh are husband and
wife in real life, and Barbara Turner is Jennifer's mom. So I guess
that makes them a functional family. To
read the Variety review of "Margot at the Wedding,"
click here; for Guy Flatley's 2000
interview with Jack Black, click
here. Now playing in theaters
MICHAEL
CLAYTON: George Clooney, Tom
Wilkinson, Tilda Swinton, Sydney Pollack, Sean Cullen, Michael O’Keefe,
Ken Howard, Austin Williams, David Zayas, Kevin Hagan, Pamela Gray,
Amy Hargreaves, Heidi Armbruster, Christopher Mann, Jack Fitz (Written
and directed by Tony Gilroy; Warner Bros.) A phone tapper and a
hit man are just two of the bad boys who may feel at home at the
prestigious New York law firm where attorney Michael Clayton (George
Clooney) works. Clayton himself, the divorced father of a troubled
boy, has conceivably schmoozed with these and other thugs during
the 15 years he has performed legal miracles for his slippery, high-profile
clients. One thing he learns for sure: more than one of these clients
have not told him the entire truth about matters of life and death.
And now, at a time of personal peril, Clayton is probably wondering
why the lovely young attorney with whom he’s been having a
clandestine affair is asking him so many deeply probing questions
about his unlovely work history. This thriller marks the directorial
debut of writer Tony Gilroy, whose screenplays include “Devil’s
Advocate,” “Proof of Life,” "The Bourne Identity,"
“The Bourne Supremacy”and "The Bourne Ultimatum."
Now Playing in theaters
RENDITION:
Jake Gyllenhaal, Reese Witherspoon, Meryl
Streep, Peter Saarsgard, Alan Arkin, Omar Metwally (Directed by
Gavin Hood; Written by Kelley Sane; New Line) The U.S. policy of
abducting terrorist suspects, secretly transporting them to countries
where torture is the favored tool for interrogation, and imprisoning
them for prolonged periods is known as Extraordinary Rendition.
The covert practice, much to the displeasure of the Bush administration,
has recently been exposed and well documented by the press. And,
not too surprisingly, more than one of these torture victims have
been proven innocent beyond all doubt. Set in the Middle East, “Rendition”
top-lines Jake Gyllenhaal as an idealistic CIA analyst who is shocked
when he discovers, first-hand, the brutal methods employed by secret-police
interrogators; Reese Witherspoon plays a panicked American whose
spouse has gone missing, thanks to rendition. Gavin Hood, the man
responsible for “Tsotsi," the powerful South African
film about a vicious thug who “adopts” the child of
a woman he has slain, is the director of this sure-to-be-controversial
thriller. To
read about more current and upcoming war-themed films, click
here; for Diane Baroni's 2001 interview with Jake Gyllenhaal,
click here.
Now Playing in theaters
RESERVATION
ROAD: Joaquin Phoenix, Mark
Ruffalo, Jennifer Connelly, Mira Sorvino, Elle Fanning, John Slattery,
Antoni Corone (Directed by Terry George; Written by John Burnham
Schwartz; Focus Features) Dwight Arno, speeding through the night
to return his 10-year-old son to his ex-wife on time, turns a bend,
hits a boy who’d been walking on the side of the road, and
drives on. Nearby, Ethan Learner, the father of the instantly killed
boy, sits behind the wheel of his own car. Before long, Ethan will
be consumed by grief, guilt and a deep thirst for revenge. If you’ve
read John Burnham Schwarz’s 1998 novel, “Reservation
Road,” you already know how this story ends, but you’ll
probably rush to see the movie version all the same. Adapted by
the novelist, the film is being directed by Terry George (“Hotel
Rwanda”) and stars Mark Ruffalo as the fleeing father and
Joaquin Phoenix as his potential avenger. Jennifer Connelly, who
co-starred with Phoenix in 1997’s “Inventing the Abbotts,”
plays his distraught wife on this occasion. To
read about more new movies based on books, click
here. Now Playing
in theaters
THE SAVAGES:
Laura Linney, Philip Seymour Hoffman, Philip
Bosco, Peter Friedman, Gbenga Akinnagbe, Cara Seymour, Debra Monk,
Margo Martindale, Salem Ludwig (Written and directed by Tamara Jenkins;
Fox Searchlight) Wendy and Jon Savage (Laura Linney and Philip Seymour
Hoffman) are siblings who loathe one another with an intensity that
does indeed border on the savage. Fortunately, they now live in
different cities and are never ever tempted to turn back the clock
and replay traumatic scenes from their dysfunctional-family past.
Wendy, a wannabe playwright who dabbles in meds and steady-dates
a guy she hopes to marry (the chief obstacle being his claim that
he is madly in love with his current wife), resides in New York’s
East Village. Brother Jon, on the other hand, has shuffled off to
Buffalo, where his twin obsessions are the writing of perversely
esoteric books and dodging conversations about commitment and marriage
with his natural-born-homemaker girlfriend. What could possibly
derail Wendy and Jon from their individual pursuits of non-familial
happiness? Phone calls informing them that their dear old dad (Philip
Bosco) is more demented than usual and in urgent need of hands-on
caretaking. Sounds like a family reunion to remember. Now
playing in theaters
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