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XX/XY
A wannabe moviemaker
meets two Sarah Lawrence undergrads one night in 1993 and the three
spend an oddly anticlimactic night in the sack. After that less
than enchanted evening, things get truly hot, and then ice cold.
Ten years later, they all reconnect in New York , New York and flirt
with the idea of picking up where they left off.
CAST: Mark Ruffalo, Kathleen Robertson, Maya Stange, Petra Wright,
David Thornton, Kel O'Neill
DIRECTOR: Austin Chick
"Essentially
an aimless and uninteresting meditation on growing up, the film
features a trio of disagreeable cellophane characters who begin
as immature college students -- and, when we catch up with them
a decade later, turn out to have changed little save their hairstyles
Ruffalo (You Can Count on Me) plays one of the most
irritating cinematic characters in recent memory: His Coles is a
spineless, self-centered, slack-jawed jerk to whom the phrase I
dunno seems like a mantra
Ten minutes into the film,
you just want him to go away." --Megan Lehmann, The New York
Post
"Those who admired Mark Ruffalo's nuanced
work as Laura Linney's jailbird brother in You Can Count on
Me have been waiting for a movie that would enable him to
build on the promise of that performance. He gets the opportunity
in Austin Chick's cunning debut feature, XX/XY, although
you have to sit tight for both Ruffalo and the movie around him
to come into their own
Little in the film's first half prepares
us for the acuity and wincingly funny observations of the second:
You may think you're seeing two different movies, but XX/XY
is merely growing into the movie it wants to be
Ruffalo continues
to be one of the most intriguing actors of his generation. He plays
against the inherent theatricality of his lines and mines the humanity
beneath the skin of a heel. You feel his pain, like it or not."
--Jan Stuart, Newsday
"It's a measure of the actor's tousled charm that Mr. Ruffalo
can make you empathize for even two seconds with the seething inner
life of this whiny narcissist
After Mr. Ruffalo's Coles, Ms.
Robertson's portrayal of a drug-taking, henna-haired college rebel
dabbling defiantly in bisexuality is the movie's sharpest performance
If
the movie has a message about relationships, it's the same one that
hippies learned about free love in the late 60's and 70's, once
the glow of communal idealism acquired a layer of mildew. For all
but a few, that dreaded bourgeois bugaboo of sexual jealousy is
so deeply hard-wired in the psyche it can't be unlearned."
--Stephen Holden, The New York Times
"Though the first half of the film is as painfully self-conscious
as its navel-gazing collegiate lovers, the story gets more interesting
as the characters mature
An ongoing problem, however, is the
complete lack of chemistry between the leads
Still, Ruffalo
excels at playing lost souls and, ultimately, he succeeds in conveying
the singular pain of adulthood: having to do the right thing even
when it feels utterly wrong." --Elizabeth Weitzman, The New
York Daily News
"It's an overly familiar setup played out by overly familiar
types but, curiously, what invests XX/XY with its tension
is that there's no sense that Austin Chick, the film's capable young
director and writer, knows what he feels about any of this
In
love with 1970s film style but not 1970s grit, Chick never pushes
his characters anyplace that's overly uncomfortable for either him
or us
anyone who opens his first feature with a three-way sex
scene, after all, knows how to sell his goods. That jive works wonders
on college girls, but Chick needs to try harder if he wants to seduce
the rest of us." --Manohla Dargis, The Los Angeles Times
"Austin Chicks XX/XY, from his own screenplay,
reminded me at first of a particularly messy French sex farce, with
more nudity and semi-nudity than the law once allowed
Mr. Ruffalo
plays much the same character that Campbell Scott played in Roger
Dodger, but without the wit and misogyny. Maya Stange is a
real find as Sam: Shes another magical creature from Australia."
--Andrew Sarris, The New York Observer
"Chick may think that he's examining this age-old triangular
conflict in a fresh, up-to-the-minute way. But when it's as easy
to predict half the dialogue that comes out of anybody's mouth as
it is watching XX/XY, there obviously isn't much new
and exciting being said here
Chick's most notable accomplishment
is the creation of fairly complex characters whom he doesn't betray
with audience-friendly personality qualities. But just writing someone
who is lost and selfish is not the same thing as making them compellingly
flawed
That said, XX/XY is not a bad start for
a filmmaker who obviously cares about what makes people tick."
--Bob Strauss, The Los Angeles Daily News
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