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SWIMMING POOL
A fastidious, self-absorbed
writer of mysteries seeks seclusion at the country home of her publisher,
but her privacy is disturbed by the unexpected arrival of his brazen,
outrageously promiscuous daughter.
CAST: Charlotte Rampling, Ludivine Sagnier, Charles Dance, Marc
Fayolle, Jean-Marie Lamour, Mireille Mosse
DIRECTOR: Francois Ozon
"Think
of Francois Ozon's astringent Swimming Pool as a novel
by Georges Simenon set in a painting by David Hockney. It's one
of those intimate French dramas of psychological manipulation and
murder
the young French actress Ludivine Sagnier is fabulous,
a perfect sparring mate for the icy Rampling
The tension is
never crushing, as it would be in an American job. Instead, it grows
by increments, until you realize the movie, in its quiet way, has
you snared entirely. And that's even before the first murder."
--Stephen Hunter, The Washington Post
"Its Ozons first film in English, which perhaps
explains the slightly tone-deaf quality of many of the scenes. Everyone
seems to be speaking phonetically. Rampling plays a brittle English
writer of murder mysteries who retreats to the country home of her
publisher (Charles Dance) in the south of France. Her peace and
quiet is interrupted by the appearance of the publishers French
sexpot daughter, Julie (Ludivine Sagnier), who is so much more entertaining
than the repressed novelist that you ardently wish shed run
off with the movie
Ozon has a smooth gift for scenes of unease,
but ultimately Swimming Pool liquifies into a dreary
puzzle movie. --Peter Rainer, New York Magazine
"Whereas Ms. Rampling is an actress of infinite nuance
as shown in her wrenching, ravishing performance in Mr. Ozon's Under
the Sand two years ago Ms. Sagnier's appeal lies in
her directness. She wields her sexual magnetism casually and with
the merest dash of self-conscious cruelty
Mr. Ozon is as perverse
as he is resourceful, so he slyly turns his delicate study in generational
and cross-cultural sexual rivalry into a suspense thriller
Swimming
Pool is simultaneously a thoroughly mannered, mischievously
artificial confection and an acute piece of psychological realism.
Whose psychology, and which reality, remains ambiguous even after
the tart, delicious final twist." --A.O. Scott, The New York
Times
"French
director Francois Ozon says that audiences can make whatever they
want of the events in his offbeat mystery Swimming Pool,
and I take that to mean he never quite got it straight in his own
mind
Is the movie to be taken literally? As fantasy? As a combination,
and if so, where does one end and the other begin?
The whole
thing is definitely a tease, and, I think, a lovely one. Rampling
is superb, going beyond the call for a scene that has her lying
nude while the camera pans her entire body. It's a courageous indulgence
for a 58-year-old actress, especially coming after we've seen miles
of footage of the voluptuous and usually nude 23-year-old Sagnier."
--Jack Mathews, The New York Daily News
"As Charlotte Rampling's blocked mystery-writer protagonist
blurs reality and fantasy, the psychological intrigue evaporates
and this meditation on bad-faith art becomes an example of same
Swimming
Pool is less a thriller than a comedy, and a formulaic one
at that, predicated on an amusing but bizarrely simplistic clash
of personalities and cultures: the veddy English old maid and the
ooh-la-la French slut
Swimming Pool is primarily
a range-expanding showcase for the superb Rampling, who has as much
fun with Sarah's squinty, purse-lipped shrewishness as with her
bumbling but eventually triumphant sexualization." --Dennis
Lim, The Village Voice
"Ozon misses some chances with Sarah, but Rampling doesn't
skip a beat. Freed from the burden of likability, the actress pushes
the character from near-farce to near-tragedy, without once appealing
to sentimentalism. Even when Ozon almost blows the film's ending
with a tidy psychological explanation, Rampling hangs onto ambiguity
as firmly as she did in Under the Sand." --Manohla
Dargis, The Los Angeles Times
"In Swimming Pool, Ozon and his Under the
Sand star Charlotte Rampling reassert their inspired alliance
with such brio and mutuality, one experiences the thrill of a director
connecting with his great platonic muse
Swimming Pool
smolders with held-back eroticism and brain-teasing enigmas: Ozon
makes us feel the woozy heat of the Provençal sun searing
into legs and loins
Segnier -- pouty, petulant and alluring
-- is tautly matched opposite the blistering watchfulness of Rampling,
who does a wordless, pot-infused party dance that is a master class
in acting." --Jan Stuart, Newsday
"Ozon has fused the disparate talents of two of his favorite
leading ladies, and their charged interplay is a joy to watch
Along
with co-writer Emmanuele Bernhein, Ozon -- who films Rampling's
startlingly perfect 57-year-old body just as lovingly as Sagnier's
ripe young one -- has crafted a contemplative blend of fantasy and
reality that illuminates the mysteries of the creative process.
Unfortunately, the clumsy twist in the tail has the effect of deflating
much of what's gone before." --Megan Lehmann, The New York
Post
"After it is over, you will want to go back and think things
through again, and I can help you by suggesting there is one, and
only one, interpretation that resolves all of the difficulties,
but if I told you, you would have to kill me." --Roger Ebert,
Chicago Sun-Times
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