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SCHOOL OF ROCK
A down-on-his-luck, not very scrupulous
rocker jolts his way into a job as a substitute fifth-grade teacher
in a fussily academic private school, and before long the joint
is jumping.
CAST: Jack Black, Joan Cusack, Mike White, Sarah Silverman, Joey
Gaydos, Maryam Hassan, Kevin Alexander Clark, Rebecca Brown, Bobert
Tsai, Caitlin Hale
DIRECTOR: Richard Linklater
"School
of Rock made me laugh harder than any movie Ive seen
this year
The kids, in essence, play group straight man to
Black, and Black gives back everything hes got. Its
a bravura, all-stops-out, inexhaustibly inventive performance
Black
may never again get a part that displays his mad-dog comic ferocity
to such brilliant effect. He, and the movie, kick ass." --David
Ansen, Newsweek
"Black is in practically every scene of School of Rock,
and yet theres never too much of him. Hes so comically
inventive that if you look away from the screen for even a moment,
youll miss something. His high-energy caterwauling isnt
tiresome, because hes somehow built a full range of emotional
levels into his rant. Hes a living contradiction: a nuanced
blunderbuss
His scenes with the incomparable Joan Cusack, playing
Rosalie, the prissy principal he purposefully gets drunk, are sublimely
clownish duets." --Peter Rainer, New York Magazine
"School of Rock is uncut bliss: It had me buzzing,
bopping up and down in my seat, practically pogoing out of the theater
playing air guitar
one of the biggest highs I've had at the
movies in years
a joyous, uplifting, go-for-it family picture
that takes you back to the primal rock 'n' roll impulse, with its
Dionysian rage
part of what's so touching about School
of Rock is that it's clearly from the work of shy people:
It's a rock-'n'-roll anthem for the timid." --David Edelstein,
Slate
"
a lithe and lovable movie that could easily become one
of the year's biggest hits, and a major player in the Oscar race
to boot
The School of Rock is first and foremost
a very funny film, and a very pleasant one that doesn't really have
a villain. Credit for its hilarity goes largely to Black, who gives
the performance of his career as a character who might have seemed
merely coarse and crude in less gifted hands
Cheers also go
to Mike White, who wrote the inventive screenplay and plays Ned
the nebbishy landlord -- a perfect role for White's self-effacing
style." --David Sterritt, The Christian Science Monitor
"In Richard Linklater's School of Rock, Jack Black
gives the best performance by an actor I didn't care if I ever saw
again. Black (Shallow Hal) has an obnoxious screen presence.
His cocky attitude, noise level and schlumpy physique -- often cloaked
only in a pair of Jockeys -- are a general assault on the senses.
But School of Rock may be to Black what The Nutty
Professor was to Jerry Lewis, or Groundhog Day
was to Bill Murray -- that rare, perfectly tailored opportunity
to play against one's broadest impulses. Not to neutralize them,
necessarily, but to tame them and turn them into something very
human and charming
You won't see a more dominant comedy performance
this year." --Jack Mathews, The New York Daily News
"What seems serendipitous about Richard Linklater's new movie,
easily the funniest film of the year and one of those 'movies for
all ages' (seriously) is Jack Black...[his] Dewey is a man who hasn't
realized his dreams. He won't be famous; his music is the equivalent
of a Gary Coleman gubernatorial campaign. But what he does find,
in the last stretches of Linklater's film, is his niche, as a nurturer
and promoter of other people's talent. It's a pretty good gig. And
'School of Rock' is a pretty terrific movie." --John Anderson,
Newsday
"
an exuberant, raucous and thoroughly endearing comedy
the
movie is perfectly suited to Black's talents, both as a singer and
as a comedian: With his uncanny vocal range and gift for gracefully
elephantine physical comedy, he's like Jackie Gleason simultaneously
channeling Sam Cooke, Steve Perry and Meatloaf
Even during
those rare moments when he stops the compulsive chatter, self-interruption
and ambidextrously jumping eyebrows that have become his trademark,
he rewards viewers with an honest, tightly focused performance."
--Ann Hornaday, The Washington Post
"
utterly adorable
The film serves as the manic
star vehicle Jack Black has been waiting for and may never have
again: as unwatchable as he was inShallow Hal, that's
how engaging he is here
Don't go to School expecting
narrative surprises, or believability. It enlivens rather than reinvents
the timeworn formula, and a reliance on ethnic and cultural stereotypes
may annoy nitpickers. Nor is it inspirational treacle--Black is
too unrestrained to be anybody's Mr. Chips." --Ty Burr, The
Boston Globe
"
the first kid movie that parents will like more than
their children
School of Rock is as serious as
it can be about its comic subject, and never condescends to its
characters or its audience. The kids aren't turned into cloying
little clones, but remain stubborn, uncertain, insecure and kidlike.
And Dewey Finn doesn't start as a disreputable character and then
turn gooey. Jack Black remains true to his irascible character all
the way through; he makes Dewey's personality not a plot gimmick,
but a way of life
Here is a movie that proves you can make
a family film that's alive and well-acted and smart and perceptive
and funny -- and that rocks." --Roger Ebert, Chicago Sun-Times
"The movie is a very funny for-kids-of-all-ages delight that
should catapult Mr. Black straight to the top of the A-list of Hollywood
funnymen. Not since Jim Carrey twitched, mugged and leered his way
to the head of the class has a comic actor stirred up such a gleeful
furor on the screen." --Stephen Holden, The New York Times
"Hurling himself into the role of pop pedagogue Dewey Finn,
Jack Black is consistently hilarious
Black, a beady-eyed performer
not known for his subtlety, exceeds even Cage in physical comedy,
at times exhibiting a chubby grace that can suggest Zero Mostel's.
Loud and obnoxious, a fount of inane jive, absurd bluster, and banshee
shrieks, his Dewey lords over the setdelivering Mike White's
rock clichés with lunatic conviction
Piloted by Black's
endearingly obnoxious true believer, School of Rock
successfully navigates between the sentimental Scylla of Dead
Poets Society and the cloying Charybdis of The Bad News
Bears" --J. Hoberman, The Village Voice
"Jack Black has been hovering at the edges of stardom for several
years now, but The School of Rock should finally propel
him into bona fide superstar status. The movie is a polished (and
irresistible) piece of crowd-pleasing formula and deserves to become
a monster hit
Black may not be the most talented or gifted
actor around, but he has something too many performers lack nowadays:
A manic, outsized personality. Black is physically incapable of
being boring (he's a direct descendant of the John Belushi school
of performance), but he's a real person, too, and his energy keeps
the movie spinning at 78 rpm." --Rene Rodriguez, The Miami
Herald
"All hail Jack Black, who finally goes to the head of the class
in School of Rock, a hip and consistently hilarious
family comedy
Cusack has perhaps her most rewarding screen
role ever as the tightly wound principal, whom Dewey discovers is
a closet Stevie Nicks fan, a fact he hilariously exploits in a delightful
scene set in a bar. But School of Rock is Black's show
this
newly minted star demonstrates he's arrived as a worthy plus-size
successor to John Belushi and John Candy." --Lou Lumenick,
The New York Post
"Hail! Hail! Jack Black: He's the clown king of rock &
roll
This is pretty tame stuff for a wild man like Black, not
to mention screenwriter Mike White (Chuck and Buck,The
Good Girl) and indie director Richard Linklater (Dazed
and Confused, Waking Life) -- kid-friendly crowd
pleasers are hardly their meat. But even education can't kill the
demon of fun in Black." --Peter Travers, Rolling Stone
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