|
LEGALLY BLONDE 2:
RED, WHITE & BLONDE
Hotshot Harvard Law School grad Elle Woods
puts her wedding plans on hold in order to take her battle with
powerful violators of animal rights to the floor of Congress.
CAST: Reese Witherspoon, Sally Field, Bob Newhart, Luke Wilson,
Jennifer Coolidge, Regina King, Alanna Ubach
DIRECTOR: Charles Herman-Wurmfeld
"Stupidity
and banality reign supreme in Legally Blonde 2: Red, White
& Blonde, the sequel to the 2001 smash about a Bel-Air
blonde who found her brain at Harvard Law School. Not since Rocky
II has there been a more blatant attempt to recapitulate a
box-office hit without adding any new attraction or appeal
it feels less like a sequel, or even a remake, than a repeat
Like
a worn-out comic hanging on to previous success, Witherspoon's Woods
goes through the same old motions." --Michael Sragow, The Baltimore
Sun
"The jokes are limp, the ideas stale, the script is well past
its freshness date; were it a platter of crudites, Elle would fire
the caterers. Instead, she must slog through it, like a river of
instant onion dip
LB2 was inevitable, one presumes,
but you really wish the actress would get an agent who could cull
good material from bad
You cannot sympathize with someone whose
basic motivation is having canine attendants at her wedding."
--John Anderson, Newsday
"Legally Blonde 2 moves at such a brisk, easy clip
that there isn't much time to linger over its flaws
Although
the film's politics are more inspiring than a flock of gun-toting
Angels, they never get in the way of its silliness
Witherspoon
whose production company is called Type A Films and who served
as executive producer on Legally Blonde 2 isn't
exactly Gloria Steinem, but not since Cyndi Lauper has a major pop
figure projected such a blissfully happy, self-amused view toward
being female. Elle knows you can have your Jimmy Choos and your
equal paycheck too." --Manohla Dargis, The Los Angeles Times
"The sequel to 2001's Legally Blonde is a movie
for people who somehow managed to miss the point of the first picture,
itself the kind of material that put the b in subtle,
as the old joke goes
The movie assumes not only that Elle did
not learn anything from the first movie, but that its lessons of
perseverance and open-mindedness were lost on the audience, too
The
makers of this movie, like those behind the recent Down With
Love, seem to be out to make a picture that's all external
gestures and flourishes. These frosted vanilla Pop-Tarts are all
context and no subtext." --Elvis Mitchell, The New York Times
"This
sequel to the likeably brain-dead 2001 film is not funny. The best
joke -- the absolute best the filmmakers could come up with -- is
about gay dogs, which quickly degenerates into offensive gay stereotypes
the
filmmaking lacks any kind of competence. It relies on lazy short
cuts, coincidences and complete suspension of anything remotely
resembling reality
Reese Witherspoon had enough charisma to
sell the original Legally Blonde to some extent, but
here she simply goes through the motions
yes, Legally
Blonde 2 is even worse than Sweet Home Alabama."
-- Jeffrey M. Anderson, The San Francisco Examiner
"There are some funny bits here, including a running joke about
homosexual dogs that seems to have been swiped from South
Park just in time to greet last week's Supreme Court ruling
overturning sodomy laws. But the character of Elle Woods is a one-note
joke that depends on frequent iterations of skin-care regimens and
cosmetic do's and don'ts. It's like being strapped down and forced
to read back issues of Lucky magazine
We love Reese Witherspoon.
Who could not?
Still, this movie depends on the premise that
all of us prefer warm fuzzies, when actually we miss
the malevolence that shone through like an oil blot in the T-zone
of Witherspoon's scheming character in Election."
--Jami Bernard, The New York Daily News
Legally Blonde 2 is a movie of many stupid pet tricks
and one basic joke: As in the original, Elle's intelligence is consistentlyif
understandablyunderestimated. (Actually there is another,
quite funny, riff that concerns Bruiser's sexual orientation)
the
latest Legally Blonde seems less a spoof on Senator
Hillary Rodham Clinton than the game plan for Senator John Edwards,
known to the Bushies as the Breck Girl." --J. Hoberman,
The Village Voice
"Elle, for whom pink is not a favorite color but a lifestyle
choice, is like a walking, talking beauty and cosmetics magazine,
whose obsession with superficial girly things causes people, understandably,
to dismiss her at first sight
the myth of a populist Congress
will live on, apart from the real world of lobbyists, log-rolling,
punishment to the disloyal and favors for friends. In the real world,
Elle Woods would be chewed up faster than one of little Bruiser's
Milk-Bones." --Roger Ebert, Chicago Sun-Times
"Apart from the bubbly blonde in the bubblegum-pink pillbox
hat and matching sheath, this sequel to the surprise hit is as resistible
as a filibuster, as frustrating as a puff of cotton candy that dissolves
too quickly on the tongue
unless Witherspoon or Field is delivering
a witticism, the movie withers quicker than cut snapdragons. Pink,
of course." --Carrie Rickey, Philadelphia Inquirer
|