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THE LEAGUE OF EXTRAORDINARY
GENTLEMEN
Queen Victoria, who
has reason to believe the world is about to be obliterated by evildoers
armed with weapons of mass destruction, seeks help from an assortment
of oddballs, ranging from Allan Quatermain to Dorian Gray and Tom
Sawyer.
CAST: Sean Connery, Stuart Townsend, Peta Wilson,
Shane West, Jason Flemyng
DIRECTOR: Stephen Norrington
"There
is something extraordinary about The League of Extraordinary
Gentlemen, and that is the extraordinary ordinariness of its
awfulness. It's not brazenly bad or heroically bad or stridently
bad. It's bad in all the old, dull ways of being bad: poor performances,
absurd story, dreary special effects, witless dialogue and the excessive
length of someone taking himself far too seriously
The action
sequences are all but indistinguishable from one another, or from
a fire drill in a fireworks plant: lots of running and screaming
and incoherence, while buildings collapse all over the place
The
League of Extraordinary Gentlemen just plain reeks."
--Stephen Hunter, The Washington Post
"The listless movie adaptation of The League of Extraordinary
Gentlemen has the sweat stains of wasted energy; it's dreary,
yet frantic
Mr. Connery's choice to portray Quatermain as unflaggingly
stalwart displays a lack of nuance, killing off any hint of subtext.
The closest he comes to fallibility is a weary cantankerousness
that registers more like hostility than weakness
the movie
is neither gentle nor extraordinary. Gentlemen may be
a better movie than other Connery fantasy-action films like The
Avengers, but then again a glass of muddy water looks good
to someone just coming in from the desert." --Elvis Mitchell,
The New York Times
"The League of Extraordinary Gentlemen assembles
a splendid team of heroes to battle a plan for world domination,
and then, just when it seems about to become a real corker of an
adventure movie, plunges into incomprehensible action, idiotic dialogue,
inexplicable motivations, causes without effects, effects without
causes, and general lunacy. What a mess." --Roger Ebert, Chicago
Sun-Times
"
one more bloated effects-o-rama lumbering through a
formula plot (super-villain out to rule the world) without much
zest, imagination or awareness of its own absurdity
its tendency
to wildly overblow everything gradually becomes unintentionally
funny
the film's endless action sequences are tediously by
the numbers, the cast sparks no particular ensemble chemistry, and
Connery -- though still oozing with irascible movie star charisma
-- seems patently disinterested in all the silliness going on around
him." --William Arnold, Seattle Post-Intelligencer
"LoEG gets off to a smart start with lots of blow-'em-up
action and lots of Sean Connery
The picture dips a bit once
the League is fully assembled and they take off for Venice to capture
the Fantom before he can foil a multination conference that could
avert war. However, the plot takes another twist that gives the
film a potent second wind
Connery, of course, is the standout
-- an aging lion in winter, still at the top of his game, even if
he does need glasses to shoot down a man half a mile away
However,
even the mighty Connery can't keep the movie from being stolen by
Townsend, who gets most of the best lines
Townsend neatly tucks
the film into his elegant trouser pocket and walks off with it."
--Eleanor Ringel-Gillespie, The Atlanta Journal-Constitution
"What do Jules Verne, Robert Louis Stevenson, Arthur Conan
Doyle and Oscar Wilde have in common? Answer: They're all doubtless
spinning in their graves at having their classic works besmirched
by the ludicrous, often unintentionally hilarious, The League
of Extraordinary Gentlemen
a fatuous screenplay by James
Robinson and incompetent direction by action-movie hack Stephen
Norrington (Blade) have turned a high-concept premise
into the worst comic-book movie yet
Laughable line readings
abound, as do incoherent plot detours, noisy and pointless chase
scenes, explosions and sword fights, all of it taking place in a
gloomy, after-dark milieu, presumably to disguise how bad the special
effects are." --Megan Lehmann, The New York Post
"Mounting an escapist epic with characters pillaged from a
century's-old booklist would challenge even the grandest filmmakers
to stay on their toes. Toes get stubbed here on every available
foot
Norrington and Robinson don't have enough fun even with
the lower-form spoofs and games available to them in a would-be
thrill ride. As a bottom-scraping summer blockbuster, The
League of Extraordinary Gentlemen is The Wild Wild West
of Western Civilization." --Michael Sragow, The Baltimore
Sun
"Clearly those Hollywood moguls think we'll swallow any wild
idea they pitch at us
several characters are deprived of their
most interesting traits -- the Invisible Man is now a common crook,
Dr. Jekyll is a pallid wimp, and the pathetic, opium- addicted Allan
Quatermain becomes none other than Sean Connery. At least he gives
a real movie-star performance, which is more than the other gentlemen
manage. Extraordinary? Balderdash!"--David Sterritt, The Christian
Science Monitor
"The movies don't always do right by comics, and, to judge
by The League of Extraordinary Gentlemen, the latest
comic to hit the big screen, it's clear that the problem isn't with
the source material: Comic books aren't giving movies a bad name
it's the reverse." --Manohla Dargis, The Los Angeles
Times
"In a summer of big-budget sequels, prequels, remakes and homages,
no film is more ambitiously derivative -- or dramatically unsatisfying
-- than Stephen Norrington's The League of Extraordinary Gentlemen
the muddled narrative is merely there to form bridges between action
scenes
once you get past the film's whimsical conceit, it falls
into the rut of all save-the-world cartoons, and the literary hodgepodge
turns quickly silly
Like every popcorn movie this season, League
ends with the hint of another episode. We can only hope not."
--Jack Mathews, The New York Daily News
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