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BAD BOYS II
Violence-prone drugbusters Mike and Marcus
are back, this time stirring up a bloody revolution in Cuba.
CAST: Martin Lawrence, Will Smith, Gabrielle Union, Joe Pantoliano,
Theresa Randle, Tom Hillmann, Gino Salvano, Peter Stormare, Henry
Rollins, Jordi Molla, Bubba Baker
DIRECTOR: Michael Bay
"Bad
Boys II is a bloated, unpleasant assembly-line extrusion in
which there are a lot of chases and a lot of killings and explosions
No
one in the movie is very interesting; our eyes glaze over during
yet another bone-tired retread of chase scenes that we have seen
over and over again
The heroes of Bad Boys II are
egotistical monsters, concerned only with their power, their one-liners,
their weapons, their cars, their desires
Everybody involved
in this project needs to do some community service." --Roger
Ebert, Chicago Sun-Times
"Michael Bays latest jingoistic fetish film could be
the most vile creation to come out of Hollywood since Patch
Adams
From Miami to Cuba, every location is a mere amusement
park for a series of endless shoot-outs and explosions
theres
no joy to Bays complete and utter disregard for human life
How
does one even begin to explain the sadistic pleasure the filmmakers
take in orchestrating elaborate deaths?
The boys chase after
a funeral hearse carrying carved-out human bodies filled with bags
of Ecstasy. As the corpses fall out of the hearse, Burnett and Lowrey
dutifully run them over and make quickie jokes when a body gets
stuck on their windshield."--Ed Gonzalez, Slant Magazine
"Quite a bit was clearly spent on the assaultive, bombastic,
and occasionally funny spectacle that is Bad Boys II.
Mr. Bay may lack restraint (also taste, wit and shame), but he does
have an undeniable flair for sleaze, noise and vulgarity. One of
his most impressive feats is to film a nightclub rave scene so that
the camera glides under the skirts and between the legs of the women
A
similarly cold, aggressive voyeurism characterizes the film's violence,
which is relentless and often gruesome. Corpses are probed for drugs
hidden inside them; a bucket of severed limbs, still dripping blood,
is placed on a dining-room table." --A.O. Scott, The New York
Times
"A
mind-boggling, nerve-numbing, adrenaline-pumping combination of
shock-and-awe brilliance and idiocy from producer Jerry Bruckheimer,
director Michael Bay and credited writers Ron Shelton and Jerry
Stahl, the new cop thriller Bad Boys II doesn't just
raise the bar on movie action it pulverizes the bar, along
with most of your senses
bullets tear through the air, bodies
scatter like confetti, sometimes in slow motion, although most everything
else happens very fast
Smith's ability to put over a scene,
combined with his matinee charm, goes a long way to making the film's
violence palatable
Bay has done more to change the look, the
pace, the vibe and even the way space is organized within the frame
than anyone else working in the genre. I'm not sure if he's any
good, but like his producer he's some kind of genius." --Manohla
Dargis, The Los Angeles Times
Hollywood's testosterone competition is over and the winner is Bad
Boys II. Can we all go home now and stop wasting our time
and money?
Bad Boys II stakes out new territory
on the frontier of cinematic excess. More than any other film this
summer (including Charlie's Angels 2, which is saying
something), it stands as a symbol of everything that's wrong with
modern Hollywood." --Marshall Fine, The Journal News
"In the iron logic of summer movies, filmmakers are locked
into a big-bang theory. The bang at the end has got to be bigger
and badder than any previous bangs, and so hot-dog director Michael
Bay, who's already engineered a fabulous car chase in which Chevy
Malibus drop off an auto carrier and bounce along the roadway like
pumpkins to dissuade our heroes in pursuit, has to find the bigger
bang. He overreaches badly
The movie really loses its mind
in its concluding commando junket
It's simply preposterous
that the Miami Police Department would invade Cuba with more firepower
than the 101st Airborne hauled into Iraq." --Stephen Hunter,
The Washington Post
"Bad
Boys II is the apotheosis of adolescent junk. Every sequence
spews or splats carnage-filled effects
More bullets get shot,
more cars totaled, more dummies crushed or decapitated than in the
Beverly Hills Cop and Lethal Weapon series
combined
Bay does have a knack for giving pubescent boys their
kicks
He realizes that for his audience, it's not enough to
send Lowrey and Burnett hurtling down a steep hillside dotted with
drug-lab shacks; for the sequence to deliver the requisite cheap
thrills, they must hurtle through the shacks and set them ablaze.
As a result, the movie is ludicrously over-scaled." --Michael
Sragow, The Baltimore Sun
"Director Michael Bay and producer Jerry Bruckheimer know how
to press all the buttons, spend all the money, shoot off all the
cliches. They're slick and shameless, and this second time around
they've got a huge budget and even bigger stars (the Lawrence and
Smith of today rather than the hot young TV stars of 1995). The
result is a movie that is entertaining and exciting and doesn't
let up for a second--but one that is also sometimes jaw-droppingly
awful
The story is the same old crock of garbage, but every
scene is spruced and revved, with Bay's camera performing acrobatic
feats worthy of a wired-up Ridley Scott." --Michael Wilmington,
Chicago Tribune
"From Bad Boys to The Rock to Armageddon
and Pearl Harbor, the amped-up collaborations of producer
Jerry Bruckheimer and director Michael Bay have resulted in some
of the most soullessly slick products in the history of movies
Anything
for a cheap laugh or a (not-so-cheap) cheap thrill. Lawrence and
Smith fill in the downtime with buddy-buddy badinage, but is this
sort of byplay even necessary anymore? In todays megaaction
comedy, any kind of genuine characterization has become vestigial."
--Peter Rainer, New York Magazine
"It's bigger. It's louder. And, like the title says, it's bad.
If you think you're tough enough, go ahead and sit through the endurance
test that is Bad Boys II, a brutal, 2 1/2-hour display
of production overkill. Serious real estate and multitudes of vehicles
were destroyed in the making of this movie, but to what end?
Bad
Boys II throws money at the screen so hard that the waste
buildup is sickening." --Jami Bernard, The New York Daily News
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