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AMERICAN WEDDING
The lovable, sex-mad youths from those
"American Pie" pig-outs are back, and guess whos
getting married?
CAST: Jason Biggs, Seann William Scott, Alyson Hannigan, Eddie Kaye
Thomas, Thomas Ian Nicholas, January Jones, Eugene Levy, Molly Cheek,
Deborah Rush, Fred Willard, Tim Allen
DIRECTOR: Jesse Dylan
"Seann
William Scott, the one real breakout actor from the Pie
trilogy, shares Jim Carrey's ability and the older actor's
slightly helter-skelter good looks to pivot from humorously
grotesque to freakily scary with a single maniacal smile. It's a
talent that proves of particular value in American Wedding,
because Scott's energy helps keep the movie going during its sluggish
moments and animates its few bright spots
Disposable as toilet
paper, American Wedding raises the question of how far
mainstream the gross-out comedy can go
most gross-out movie
comedies revolve around middle-class kids acting out a seemingly
endless series of juvenile fantasies, many involving bodily functions.
They're old enough to marry, sure, but what does it mean that all
these kids still aren't potty-trained?" --Manohla Dargis, The
Los Angeles Times
"If you do not bring pride, good taste or sense to this third
American Pie installment, you'll have a good time. Of
course, you won't admit it in front of respectable company
The
movie, which includes the requisite gross-out scenes (involving
the wedding cake, as well as a nasty doggy doo moment) and a tour-de-force
dance contest between Stifler and a muscular gay performer, is anti-serious,
liberated and often very funny." --Desson Howe, The Washington
Post
"Once they've done the apple pie, explored the many ways one
can play the flute, spiked a beer with semen, and had students urinating
on each other from balconies, how do they top themselves? Okay,
nobody's ever thought of ruining a wedding cake by dropping shaved
pubic hairs into a ventilating system before, but will that be enough?
American
Wedding is stupid, lowbrow, pandering teenage trash
There
are a couple of surprises in the I-can't-believe-they're-doing-this
vein, but mostly, Pie 3 is an aimless charade of doggy
poo, latex breasts and really, really bad language." --Jack
Mathews, The New York Daily News
"Having survived high school and college in the first two American
Pie movies, here they are in American Wedding,
still ankle-deep in precious bodily fluids and doggy do, and although
the movie cheerfully offends all civilized notions of taste, decorum,
manners and hygiene, it has a sweetness that is impossible to discount,
and it is often very funny
There is no joke too low for the
movie to stoop to, no melodrama too broad, no human weakness too
pitiful to satirize, and yet, because the filmmakers and the actors
like these characters and wish them well and want them to somehow
live happily ever after, all is redeemed. The movie is vulgar? Vulgarity
is when we don't laugh. When we laugh, it's merely human nature."
--Roger Ebert, Chicago Sun-Times
"The movie grinds slowly, inexorably toward the bawdy, bad-taste
shenanigans that observe the decorum usually found only in the letters
section of Penthouse Forum. The limp, boring jokes are relentless.
The makers of Wedding have so effectively managed to
make offensiveness seem tame that this could be subversion financed
by the religious right
With any luck American Wedding
should finally finish off the series." --Elvis Mitchell, The
New York Times
"No one fornicates with a pie or gets super-glued to their
privates in American Wedding, the third and final installment
of the American Pie trilogy, but theres plenty
of penis-related disasters going on in director Jesse Dylans
ode to friendship, fidelity and clandestine fellatio
Traditional
morality hidden under a juvenile infatuation with excrement and
big boobs has always been the films bread and butter, but
American Wedding (more shamelessly than its predecessors)
only perfunctorily pays lip service to wholesomeness while enthusiastically
indulging in its disgusting pranks. Its a clear sign that
the filmmakers creative well has run dry, but its also
an honest turn for a series that owes its success less to smarmy
platitudes than to the humorlessly infantile image of a teenager
having sex with a gooey desert." --Nicholas Schager, Slant
Magazine
"That's right, they're back, the sexually obsessed guys from
the last two American Pie films. Only this time, they're now young
adults out of college, one of them is getting married, one of them
is resolutely fighting the urge to grow up, and they're all continuing
to wear out their welcome
The real star of the film is Seann
William Scott, whose Stifler is unredeemable in ways never before
brought to the screen (and that's not a compliment). He still talks
like the most obnoxious kid in the junior high lunch room, still
sees everything in terms of how much female flesh it will bring
him, still cracks wise in ways that would make Penthouse blush
Hopefully,
this is the last slice of American Pie." --Chris
Kaltenbach, The Baltimore Sun
"The infamously violated pie is tossed away for a wedding cake
(which receives its own violation), but otherwise the series is
back on familiar ground
The film stutters along in stops and
starts as Dylan hurtles it from one rude, crude and elaborately
lewd gag to another
His eyes popping and his face twisting
in elastic expressions of his basest desires, Scott's Stifler has
become so unapologetically crude that he threatens to devolve into
a lower species
It's often helplessly hilarious in its adolescent
gross-out way, yet the cast periodically invests the film with sweetness."
--Sean Axmaker, Seattle Post-Intelligencer
"AmericanWedding, this week's entry in Holly wood's
summer of endless sequels, has some gut-busting moments, but for
the most part the thrill is gone from what the ads describe as the
thrilling climax of this gross-out franchise
Let's
hope the producers make good on their promise to let well enough
alone and not inflict American Baby and American
Divorce on us." --Lou Lumenick, The New York Post
"American Wedding is clearly the Stiff-meister's
movie and Seann William Scott makes the most of his character's
extended face time with headlong fury, especially when Stifler makes
what, for him, is the ultimate sacrifice by dirty dancing in a Chicago
gay bar. As with many things in this slice of Pie, that
whole sequence is outrageously inappropriate. But it also exposes
the gentle heart concealed deep within both this raucous franchise
and its most disreputable character." --Gene Seymour, Newsday
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