ALEXANDER
At heart, Alexander, the militaristic,
world-conquerering man’s man, is a great big mama’s
boy.
CAST: Colin Farrell,
Angelina Jolie, Val Kilmer, Rosario Dawson, Jared Leto, Anthony
Hopkins, Christopher Plummer, Jonathan Rhys-Meyers, Gary Stretch,
Brian Blessed
DIRECTOR: Oliver Stone
SCREENWRITERS: Oliver Stone, Christopher
Kyle and Laeta Kalogris
“The
movie is a sprawling mess, a lox, a three-hour non-starter...too
puny and fragmented for its mighty subject...the only truly heroic
presence in the picture is Angelina Jolie, improbably but delightfully
cast as Alexander's imperious mother, Olympias...I don't care how
nuts she is, Jolie is the real deal: a gorgeous, epic-scaled actress
who can transform herself from the inside out. She could eat Colin
Farrell for breakfast and pick her teeth with Jared Leto. Forget
Alexander: The film is a pedestal to Angelina the great.”
--David Edelstein, Slate
“Mad
of eye and teased of hair, Olympias, played with nose-flaring gusto
by Angelina Jolie, was the mother of all monstrous mothers, a literal
snake charmer whose love for her only son had the stench of incestuous
passion and the tedium of the perpetual nag...Rarely since Joan
Crawford rampaged through the B-movie sunset of her career has a
female performer achieved such camp distinction...puerile writing,
confused plotting, shockingly off-note performances and storytelling
that lacks either of the two necessary ingredients for films of
this type, pop or gravitas.” --Manohla
Dargis, The New York Times
“Though
filled with spectacular battles, opulent sets and grand Hellenic
passions, this madly ambitious film doesn't compute... Jolie, eyes
blazing, arms and shoulders accessorized with serpents, delivers
a grand-opera turn that falls just short of high camp...Farrell
works mightily to hold Stone's sprawling history lesson together,
convincingly morphing from eager boy to battle-weary conqueror.
But could any young contemporary actor fill Alexander's globe-bestriding
shoes? He remains beyond Farrell's grasp.” --David
Ansen, Newsweek
“Alexander,
as expressed through the weepy histrionics of Colin Farrell, is
more like a desperate housewife than a soldier. He's always crying,
his voice trembles, his eyes fill with tears...Teri Hatcher could
kick this twerp's butt...Then there's Angelina Jolie as Mom...Give
this young woman the hands-down award for best impression of Bela
Lugosi while hampered by a 38-inch bust line...She represents the
spirit of kitsch that fills the movie, and with all her crazed posturing
and slinking, it's more of a silent movie performance than one from
the sound era. Theda Bara, call your agent.” --Stephen
Hunter, The Washington Post
“How's
‘Alexander’? Not great...this three-hour buttnumbathon
is hamstrung by a hectoring grandiosity, not new to Stone, and a
nod toward caution, which is. The crazy energy that redeems even
Stone's worst films (Natural Born Killers, U Turn) barely surfaces
in this poky take on the life of the Macedonian warrior who died
at thirty-two...Even Alexander's carnal confusion is presented warily...
The film fails, crucially, in getting us inside the head of a man
who models himself on myth.” --Peter
Travers, Rolling Stone
“Butt-and
mind-numbing, Oliver Stone's three-hour ‘Alexander,’
like the equally silly ‘Troy,’ underscores just what
an accomplishment ‘Gladiator’ was four years ago...Sporting
a dreadful blond pageboy and a micro-mini toga while exchanging
come-hither looks with his mascara-loving childhood pal, Hephaistion
(Jared Leto), Colin Farrell looks more like Alexander the Fabulous
than Alexander the Great... Alexander is often such a simpering,
indecisive wuss that it's hard to accept he conquered most of the
known world before his mysterious death at the age of 33 in 323
B.C.” --Lou Lumenick, The New York Post
“Looking
at Colin Farrell, we don't see much apart from a gruff young actor
with puffy blond locks that don't match his caterpillar eyebrows
and a fixed scowl of vague and nagging impassivity. He has no dynamism,
no obsessive interior force; everything we're told about Alexander
remains an abstraction, an index-card idea for a character pasted
onto Farrell's less-than-mythic presence. As a man, he's grand in
theory but hollow at the center, and so is the movie...‘Alexander’
is an exhausted epic, one that Stone has directed with an almost
startling lack of personality or vision.” --Owen
Gleiberman, Entertainment Weekly
“Played
by Irish actor Colin Farrell with a blond wave and a most convincing
Irish accent, Alexander is a spoiled, paranoid snot with a batch
of Greek complexes...In a scene in which Alexander is roaring at
his troops to rouse them to battle, he sounds like Mighty Mouse
pretending to be Superman...the casting of Jolie as Olympias is
a disaster. Not only is she nearly the same age as Farrell, she's
more ambitious and less talented. She does attempt a foreign accent,
but unfortunately picked the one we recognize from old movies as
Transylvanian...unless you want to tie yourself in a Gordian knot
drawing parallels between Alexander's desire to Hellenize the world
and George W. Bush's desire to Americanize it, this is a history
lesson you can skip.” --Jack Mathews,
The New York Daily News
“All
hail Oliver Stone, whose ‘Alexander’ is a shock: not
a campy disaster...He stages ‘Alexander’s’ numerous
bloody, profitable coups with a scary fury that never boils over
into ‘Natural Born Killers’ psycho-territory. And in
Colin Farrell, he has an Alexander not only of finely dyed blond
hair but also of finely calibrated emotions...Stone handles Alexander’s
well-documented bisexuality without the kind of macho contempt you
might expect from the popular image of this ballsy director...As
one of the few movies around not pushing state-of-the-art animation
or Jude Law, ‘Alexander’ is a damn good date movie.”
--Ken Tucker, New York Magazine
“The
ambiguities are not assisted by Colin Farrell's less than wholehearted
embrace of his bisexuality...Nor is he convincing as a conqueror.
Farrell is a fine actor, but on a human scale; he's not cut out
for philosopher-king...I have always admired Oliver Stone's courage
in taking on big, challenging films, and his gift for marrying action
and ideas. ‘Alexander’ is not a success, but it is ambitious
and risky, and incapable of the inanities of ‘Troy.’”
--Roger Ebert, Chicago Sun-Times
“Stone
presents a riot of sensations, military and erotic, through which
Alexander (Colin Farrell) has to hack like an intrepid soldier through
an unfamiliar jungle. All of which makes for a long, lumpy trip
with a charismatic guide and some brilliant detours...The hole in
the center of this mythic history is Farrell, who looks overwhelmed
and diminished by the burden of carrying an epic movie on his bulked-up
shoulders. Jolie, however, is right at home as his mother...Olympias
may be Philip's wife, but she is Dracula's daughter. And Jolie inhabits
her with an awful grandeur... Jolie's real vengeance is to invade
the film's story and conquer it. This man's movie is a woman's triumph
after all.” --Richard Corliss, Time
Magazine
“The
ultimate failing of ‘Alexander’ is its lack of urgency,
tension and suspense...it’s impossible to contemplate Alexander’s
hubris (not simply in conquering foreign lands, but also in absorbing
alien cultures into his own) without thinking of our equally hubristic
President of the United States, who seeks to impose the ‘will’
of his God on other peoples with other gods... is ‘Alexander’
worth seeing? The best I can say is that though it is very far from
the top of my list of end-of-the-year recommendations, it is equally
far from the very bottom.” --Andrew
Sarris, The New York Observer
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